Reaction向栏目——非专业人士用真心和热情，尝试谈论一张音乐专辑。

欢迎订阅收藏分享，如有意见或建议，希望不吝赐教。

本期边听边聊，正式浸入王力宏创造的“chinked-out”国度。

00:13  闲聊时间：爱会消失の麦当劳、《拾荒者统治》、《汉尼拔》、《谁是被害者》和槽点返场の《九龙城寨之围城》

06:40  出道10周年专辑《心中的日月》的份量  

13:13  疑似陶喆好兄弟来帮忙的精彩启动曲 ——  开场Intro  

15:02  五声音阶写就西洋舞曲的单打独斗热场歌 ——  放开你的心  

21:32  中国少数民族音乐与现代流行音乐巧妙融合的里程碑 —— 心中的日月  

28:33  听感异常丰富的怪歌……听多了之后，怪好听的 —— 竹林深处  

33:53  Love is over / 谁也不必再提起 / 逝去的爱已逝去 / 谁也不必再追忆 —— Forever Love

41:47  来都来了， 翻唱一首当地经典民歌致敬前辈吧 —— 在那遥远的地方  

47:10  大概需要有相当经历才能写出的伤感大作 —— 一首简单的歌  

51:50  继《What Was I Thinking》之后，描写情感困惑现象2.0 —— 星座

56:21  聊着聊着有成为大熊猫顶流花花主题歌的趋势 —— 过来  

59:49  下半区独白篇里演唱难度极高的隐藏神曲 —— 爱错  

01:05:27  “less is more”外皮给歌迷的话内里的动感结束曲 —— Follow Me

01:10:05  随口聊聊记忆中的他们 & 专辑相关信息补完

Instrumental：

Frédéric François Chopin - Nocturnes, Op. 32  No. 1 in B Major Andante Sostenuto

王力宏 - Julia

Alastair Gavin - Together Again

Intro：コーコーヤ - 昨日・今日・明日

Outro：コーコーヤ - 街角Swin

<附上王力宏写的专辑序言>

Dear listener,

10 is a big number, but i feel as if l've only just begun. It's been an honor and a thrill to be a part of the ever-evolving Chinese music scene since 1995's releose of my first album, "Qing Di Beethoven".

Since then, I have constantly challenged and experimented, letting the music take me on a journey I could never have in my wildest dreams imagined. I feel as if l've been "there and back again" , seen so much, heard so much, done so much. and yet…"Xin Zhong de Ri Yue".now my 10th album, marks the beginning of a completely new journey.

The album's conception started with the following premises:

1) Though Chinese presence grows in the global community, the world's understanding of Chinese people, pop culture and music still lags behind.As much as we hate to admit it, we are still faced with age-old stereotypes and unjust prejudices that need addressing.

2) Chinese pop music does not have a strong enough sonic identity. Instead of being purely karaoke driven, instead of covering or imitating other countries popular songs, we can focus on developing our own sound, drawing from the rich resources that abound in Chinese culture.

Then, I coined the term "chinked-out". Derived from the historically derogatory racial slur "chink" , used to put down Chinese people, "chinked-out" repossesses the word, turns its negative connotations upside-down, and uses them as material to fuel the new sound of this music.

The term describes an effort to create a sound that is international, and at the same time, Chinese. In this album, I decided to implement some of China's most precious and untapped resources, the musics of its "Shao shu min zu"，or ethnic minorities. concentrating on the regions of Yunan, Shangri-la, Tibet.